THE FILE ON THELMA JORDON
1950, Paramount, 100 min, Dir: Robert Siodmak

Barbara Stanwyck is an ambiguous femme fatale who ensnares a lovelorn assistant D.A. (Wendell Corey) in a murder scheme. Ketti Frings’ screenplay imbues a traditional noir recipe with a genuine sense of longing and loss. This was Siodmak’s next-to-last film before abandoning Hollywood, and we’re thrilled to give it a rare theatrical screening. With Paul Kelly, Stanley Ridges, and Richard Rober.


DARK CITY (1950)
1950, Paramount, 98 min, USA, Dir: William Dieterle

The murder of a fellow grifter following a fixed poker game leads a small-time gambler (Charlton Heston, in his feature debut) to track down a psychopathic killer bent on revenge. The complex tale, ranging from Los Angeles to Las Vegas, is evocatively directed by William Dieterle (PORTRAIT OF JENNIE, THE HUNCHBACK OF NOTRE DAME) and features film noir’s favorite throaty thrush, lovely Lizabeth Scott. Co-starring Viveca Lindfors, Dean Jagger, Don Defore, Ed Begley and Harry Morgan.


THE ACCUSED
1948, Paramount, 101 min, USA, Dir: William Dieterle

A spinsterish college professor (Loretta Young) finds herself in jeopardy after killing an amorous student in self-defense. As the noose tightens around her, both the victim’s guardian (Robert Cummings) and a dogged homicide detective (Wendell Corey) begin to fall for her - apparently being a killer makes her irresistible to men. The provocative script gives a decidedly feminine slant to a classic noir premise. Presented in a gorgeously restored print, giving new life to a neglected classic of the genre.


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