1962, Sony Repertory, 123 min, Dir: Blake Edwards

Lee Remick is a bank teller whose teenage sister (Stefanie Powers) is kidnapped by creepy, asthmatic Ross Martin (Artemus Gordon on TV’s "The Wild, Wild West"), a sociopathic crook brewing an extortion plot. Glenn Ford is the no-nonsense FBI agent who steps in after a terrified Remick contacts the agency. Director Blake Edwards demonstrates his skill at creating dark atmosphere and nail-biting suspense, honed on "Peter Gunn," the TV show he created. After BREAKFAST AT TIFFANY’S and THE PINK PANTHER (both Edwards films), composer Henry Mancini graces us with his most memorable (and sinister) score.

1940, Walt Disney Pictures, 130 min, Dir: Alfred Hitchcock

Director Alfred Hitchcock’s Gothic romance asks the question: Did guilt-ridden, rich widower Laurence Olivier do away with his notorious wife Rebecca or not? And what secret does sinister, manipulating housekeeper Mrs. Danvers (Judith Anderson) hold? As the widower’s second wife, a young Joan Fontaine attempts to unravel the mystery.

1957, Sony Repertory, 90 min, USA, Dir: Paul Wendkos

Writer David Goodis' guilt-laden caper yarn is given a fully-stylized visual workout by whiz-kid director Wendkos in one of the last films of the 1950s to capture the fatalistic feel of classic noir. With Dan Duryea, Jayne Mansfield, Martha Vickers

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